Tag Archives: Annet Mahendru

Young Indians in New Hollywood

Note: This piece was written by Nikhil Taneja (@tanejamainhoon) for Man’s World India. The MW India article can be read here: http://goo.gl/xlI58F

Sometime last year, Indian-American actor Kal Penn (The Namesake) tweeted, “Creepy Australian Guy: Whoa, are you Russell Peters?! Me: No, I’m Kunal Nayyar. Creepy Australian Guy: I love Parks & Rec! Me: High 5!” It was a joke alright, but Penn, who is arguably the best-known Indian actor in Hollywood, having starred in the hit Harold and Kumar trilogy, made a strong point about how brown-skinned actors still have a long way to go before a white-skinned audience gives them the acknowledgement they so deserve.

Less than two years later, Creepy Australian Guy may as well be the minority audience, because one look at the current film and TV landscape, and it’s all but clear that young Hollywood has a new mantra: diversity. This could perhaps be because of the tremendous talent that South Asians have to offer, or this could simply be sound business sense – as the world continues shrinking, South Asian audiences need to be appeased because of their enormous numbers and their healthy buying power.

But if, at the time they went about finding a foothold in Hollywood, Penn, Nayyar (The Big Bang Theory), Peters (stand-up comedian) and Aziz Ansari (Parks and Recreations), along with a handful of others, most prominently writer-actor Mindy Kaling (The Mindy Project), subverted the norm, they may well part of the reason that diversity is the norm today. Of course, Hollywood may now grapple with other kind of absurdities – like which minor community talent (among Asians, South Asians and Latinos) to go with in which project – but the good news is, the door of opportunity is now wide-open.

And so, as young Indians in Hollywood firmly make their presence felt in mainstream American projects on every creative turf, from writing to acting, the challenge has now shifted from finding a voice for the community to finding bigger platforms for the voice to reach a global audience. “I think it is the responsibility of every generation to improve upon the ways and perceptions of the last one, and I want to do that with India in Hollywood,” says Adi Shankar, 29-year-old producer of films like Mark Wahlberg-starrer Lone Survivor and Liam Neeson-starrer The Grey, who was recently voted among the most influential global Indian men in a men’s interest magazine.

“Korean films compete on an Indian level, why can’t ours? I’m committed to putting our films in the international spotlight,” he adds. Actor Tiya Sircar, who has acted opposite comic legends Owen Wilson and Matthew Perry in Hollywood blockbusters, is excited about the evolving cinematic landscape of India too. “You look at a Kalki Koechlin, who is not necessarily from India, being accepted purely on talent, or The Lunchbox working just as well in India as it did internationally, and as an actor, that’s such great news for me. I want to contribute to the change too,” she says.

Indo-Russian actor Annet Mahendru, who is a series regular on spy drama, The Americans, on the other hand, is miffed that she loses out on Indian roles because she looks “ethnically ambiguous’, and this conundrum is echoed by actor-director Natasha Chandel too. As Hollywood becomes cosmopolitan and moves beyond stereotypes, this urge among young Indians to artistically express the Indian side of their blood is perhaps going to be the driving force of the global Indian identity over the next decade.

Director Shripriya Mahesh puts things in perspective, “I may not have lived in India for a long time now, but I consider myself very Indian. I have many stories inside me, but the one that I feel like I have to make is set in India; it is never possible to truly move away from your country.”

Here’s a look at some of the young Indians in New Hollywood:

Creative Producer, Multi-Hyphenate, Rebel with a cause
Claim to Fame: Producer of Dredd, The Grey, Lone Survior, Killing Them Softly
What he’s upto next: Producing the all-female ‘Expendabelles’, the Dredd animated miniseries and acting in five-odd films.
Check out his Power/Rangers Unauthorized Bootleg Universe short film here: https://www.youtube.com/watch?v=vw5vcUPyL90

Adi Shankar
Adi Shankar

He is a creator not a businessman or producer.
It blew my find finding out that at the time of the homoerectus, there was another humanoid species. They didn’t survive because our ancestors were creators: when it rained, we created shelter; when it got cold, we created fire. Creation is the reason our species is alive so the fact that there are dudes who want to chill behind a desk all day makes me sad.

He was inspired to make his own rules.
I was misdiagnosed with cancer when I was 18. Three weeks after that the doctors said, ‘We are sorry! We screwed up!’ I realized that no one really knows what they’re talking about. Before, it was like, you would go to one place, you’d learn what’s cool, polite and right, and then, at another place, you’d be asked to adapt again. But after that, I stopped giving a f**k.

The West welcomed him with open arms, when his people didn’t.
I don’t spend a lot of time in India because they people there used to think I’m a screw-up, and they’d ask me to give up films. But I never gave up. I was discouraged by other brown people that they don’t like brown faces in Hollywood, which is just bullsh*t. Me being brown has had absolutely bearing, I was accepted here completely. You know what’s a problem? Being White and from Ohio, because then you are competing with everybody.

His eyes are set on India now.
I’m presenting Gangs of Wasseypur internationally because I’m committed to taking our people into global spotlight. We have very interesting stories to tell beyond couples who can’t get together because of their fathers. Anurag Kashyap, Vasan Bala and others are doing some fantastic stuff in the independent scene. I want to deconstruct the stereotypes about our people and I will sure as hell do that from here. I even want to cast an Indian actress in Expendebelles!

Actor, Indo-Russian, 20-something, stunner
Claim to Fame: Playing Nina Sergeevna Krylova on Cold war spy drama/thriller, The Americans
You can see her next in: Penguins of Madagascar, Sally Pacholok & Bridge and Tunnel in movies; and Season 3 of The Americans on Star World Premiere
[Read a larger interview I have done with Annet Mahendru for The Sunday Guardian here: https://tanejamainhoon.com/2014/11/10/annetmahendruinterview/]

Annet Mahendru
Annet Mahendru

She considers herself to be a ‘gypsy girl’.
I remember hiding in the bathroom in Afghanistan as war went on outside. In Russia, during the cold war, people were fascinated with me because I was the rare foreign-looking kid. In Germany, I picked up Indian culture from my father’s siblings. In New York, I grew up having friends from all ethnicities. I got cast in The Americans because the creator thought I had the background of a spy!

She wants to do transformative stories.
I thin human beings are capable of anything and I would like to access that in my work and in my storytelling. I want to have the ability to transform beyond me and my personal beliefs. Nina is a KGB officer and yet she’s able to connect with people across the world even when she’s being a double agent, because ultimately it’s about being human.

Hollywood doesn’t believe she’s Indian.
It’s hard to get people to break stereotypes and look past your appearance. They think Russians have blue eyes and blond hair so pre-The Americans, I’d not get cast as a Russian. I never get Indian roles because they have a certain idea of what an Indian looks like and they aren’t able to ethnically categorise me. I want to move beyond ethnicity in casting.

She is dying to work in Bollywood.
When I was 5 and guests would come to our house, I’d put on my Indian dress and dance to ‘Choli ke peeche kya hai’ for them (laughs). I love Shah Rukh Khan and everything from Devdas to Chennai Express. I have explored my Russian side now, so I’m thirsty to explore and express my Indian side. Help me!

Actor, funnyman, future sitcom star
Claim to Fame: Jurassic World director’s Sundance-award winning film Safety Not Guaranteed and IT comedy, Beta
Watch him next in: Paul Feig’s sitcom, Other Space, and Jack Black-starrer Goosebumps, among others

Karan Soni
Karan Soni

He went to school in LA because of The OC.
I would watch The OC and think, ‘Wow! What a magical world!’ I secretly applied to colleges here after watching it. When I did tell my parents, they thought I was doing business studies here! I kept tricking them until I had to tell them that I am studying theatre, and even then I lied to them saying I’ll be a producer because they never thought I could be an actor. But now they’re super on board, and even have google alerts on me.

His worst audition is definitely is definitely one of the worst auditions ever.
In my first audition, they asked me to play a terrorist, gave me a plastic AK 47 and a scene where a white woman is crying, ‘Why are you doing this’ and there’s a bomb about to go off. I was asked to pray *anything* in Hindi that sounds scary and them my character is shot. It was the most horrifying experience of my life (laughs).

Safety Not Guaranteed’s Aubrey Plaza is his cool friend and Jake Johnson is his weird uncle.
Working with Aubrey and Jake was like the best acting class in comedy ever. Aubrey is so cool, she once called me to her house for a board game night and I walked in to find Michael Cera there, and the three of us played ‘Apples to Apples’ all night long. And Jake’s like this cool, weird older uncle, who I’d have discussions on life with and who’d force me to drink whiskey and stuff and I’d refuse!

He’s ultimately a Delhi boy who likes Karan Johar movies.
I’m a big Shah Rukh Khan fan. I love Bollywood and I love Karan Johar kind of movies; my favourite is Kal Ho Na Ho. But I don’t think I’ll ever be able to do a song-and-dance movie, no one will buy me as a Bollywood hero. I’d love to continue working in TV because I love playing the same character for a long period of time, and of course, having a job for 9 months of the year too.

Actor, Host, Digital Creative, Multi-tasker
Claim to Fame: Her web series Mumbai Chopra that she created, produced, directed and starred in, and hosting MTV News
What she’s upto next: Directing and produced the web series, The Can
Check out the full series, Mumbai Chopra here: https://www.youtube.com/user/MumbaiChopra

Natasha Chandel
Natasha Chandel

Her first short film won awards everywhere.
My very first camera gig when I was a 17 year old in Canada. It was a short film called Pria, about an Indian girl who uses her love for the movies to tell this boy that she loves her. The film went to over 15 film festivals worldwide and won a lot of awards and got me my first meeting with NBC in the US. People would even ask me to quote lines from the film all the time. It was surreal!

She did everything on Mumbai Chopra.
I grew up watching sitcoms and Russell Peters and I have always just preferred comedies because I’m a happy person. I created Mumbai Chopra as a spinoff of Paris Hilton. She is a socialite with a good heart, who could be the daughter of a spiritual guru. I was working with MTV News at the time, so had to write, produce, direct, fund, and act in this in my off time. 

Casting directors find it hard to think of her as an Indian.
I’ve been going to a lot of auditions for Hispanic and ethnically ambiguous roles because casting directors don’t believe I am Indian. They usually think an Indian is a dark-skinned or quirky looking person. Once, a casting director said, ‘How can you be Indian? You are pretty!’ I was so angry… I mean, have you even seen our people? They are some of the prettiest in the world! 

She wants to be a comedy showrunner.
I made Mumbai Chopra because I wanted to make a show where people would realise that Americans and Indians are not all that different. I wanted to create someone who’d be funny for American audiences. Also, the only way to change the status quo for Indians is to write our own stuff. I love creating and I love comedy, so my dream is to be the next Mindy Kaling or the next Tina Fey.

Writer, Producer, Occasional stand-Up comedian, All-round storyteller
Claim to Fame: Writing/producing Courtney Cox’s Cougar Town
He last worked on: Military comedy Enlisted.
What he’s upto currently: Producing and writing on ABC’s Fresh Off The Boat

Sanjay Shah
Sanjay Shah

He started off in politics!
My dad was an engineer for 25 years before he decided to be a small businessman and get a Burger King franchise. I started my career as a legislative aide at the California State Capitol. I worked for a state assemblyman. But I really wanted to be a stand-up comedian, and I also wanted to have a family. Writing for comedies on TV was a pretty good compromise.

He’s had an eventful Hollywood career.
In 2007, I wrote an episode of King of the Hill called ‘Grand Theft Arlen’, and threw a party because I was so excited. Since then, I wrote for Trey Parker and Matt Stone at South Park, became a writer/producer (which means you have more responsibility running the writers room on occasion, giving notes on cuts of episodes, communicating with executives and actors, etc), sold a semi-autobiographical comedy that didn’t get picked to series but helped me buy a house, and almost got run over by Mel Brooks once.

He’s never faced racism.
People don’t care what you look like behind the camera. Every year that I’ve done this, Hollywood has gotten more diverse both in front and behind the camera. I think it’s a good thing. Why Indian actors may get stereotyped on TV shows just comes down to the writers. I think there’s lazy writers and then there are good writers. Good writers can nail the nuances. 

He would love to write for Indian TV… or not.
I’m very interested in writing for Indian television. I would love to write a show about a daughter who doesn’t get along with her mother-in-law. Do you guys have anything like that already?

Filmmaker, Entrepreneur, Mother-of-twins extraordinaire
Claim to Fame: Directed a short film starring James Franco and Jessica Chastain that will release in December as part of an anthology, The Colour of Time
What she’s directing next: Varenya, an international feature film to be shot in India

Shripriya Mahesh
Shripriya Mahesh

She’s used to manage a $400 million business for eBay before films.
I wanted to be a photographer at 7, but growing up in Chennai, I realised that if I wanted to pursue something creative, I had to first find a way to support and sustain myself. So I got into Harvard Business School, then eventually into eBay. Only when I got engaged to someone in New York, I decided to do a three month intensive filmmaking course at NYU. I loved it so much that I got into filmmaking. 

She believes working in tech is a lot like working in films.
In tech, I was doing something creative too – coming up with an idea for a product and making it happen, which is like films. Also, like films, in tech, the last 10% takes up 60% of the time. It can get overwhelming but you push towards perfection, because millions will sample your product. That training has helped me in films. 

She took a James Franco class on Directing Poetry at Tisch School of Arts
James insisted that we shoot our entire short films with temporary locations and actors, in the exact same way, before shooting the actual film. He does that with every film he directs too. So you get to see what works, what doesn’t, what angles need to be changed; and you save time, effort and money on the actual shoot. 

Dev Benegal is producing her first full-length feature film.
We became friends through an acquaintance, so when I wrote Varenya, I coerced him to produce it. He loved it, read each draft, came to every pitch session, and has been a fantastic producer. The film is personal so I want to make it right.  I would rather take time and make a good film than make an average film fast.

TV writer, Slamdance winner, prodigy
Claim to Fame: Writing The Americans and Constantine
She’s currently working on: DC Comics’ show, Constantine
[Read a larger interview I have done with Annet Mahendru for The Sunday Guardian here: http://www.sunday-guardian.com/masala-art/sneha-koorse-i-excel-at-writing-torture-scenes/]

Sneha Koorse
Sneha Koorse

She has worked for legends like JJ Abrams, Alfonso Cuaron and David S. Goyer already.
They are all legends and so different from one another! I think the biggest thing is that they all have strong points of view and a vision that they are able to communicate with confidence. The idea-generating part of their brains is also very strong. It’s like a muscle that has been strengthened with years of practice.

She is fascinated by the dark side of things.
I am a happy person but I’ve always been attracted to things where the stakes are raised to life and death. I like exploring what makes human being be and do bad. My family had to emigrate from Kuwait because of the Gulf War so perhaps it is to do with hearing stories about that. It’s become a joke in The Americans writing room now that I love writing action and torture scenes.

She’s made it even as an Indian in a white male-dominated TV writing environment.
People tend to hire who they know and usually its white males because they can have a boys club in the writing room, where they don’t have to be politically correct when making jokes. However, people are also more accepting that diversity provides the kind of perspective needed for complex writing. Eg. I got hired on The Americans because my parents had an arranged marriage just like the spies on the show.

She is looking towards India next.
India is a rich setting for stories. I’d love to do a coproduction between two countries; a story about a clash between two cultures, or that involves an interweaving of the two cultures, would best represent me, since I’ve grown up in the U.S. but I’m still connected to my Indian heritage.

Actor, comic star, next big thing
Claim to Fame: The Internship with Owen Wilson & Vince Vaughn, 17 Again with Zac Effron and Matthew Perry
You can see her next in: Sabine in the animated series Star Wars Rebels and the lead in movie Miss India America 

Tiya Sircar
Tiya Sircar

She was cast as the female Barney in How I Met Your Dad.
(Laughs) If you had to draw parallels, that’s the closest one I guess. I played Juliette Banerjee, a no-holds barred, unapologetic and sassy girl, who was such a departure from the sweet and cute roles I get to play because Indian women are usually not given roles that are too ‘liberated’, right? It was a really fun character and I wish the show had been picked up, but it was a privilege to get to play it. 

She’s worked with comic legends Robin Williams, Owen Williams, Vince Vaughn and Matthew Perry.
When I was sitting opposite Matthew Perry in the first table read of 17 Again, I almost got a heart attack! And Robin Williams (in The Crazy Ones) was obviously such a legend. I mean, these guys are the best at what they do. To get to actually do comedy with them and get a free master class in improve comedy from them was surreal. 

She’s made it big by overcoming a lot stereotypes.
Hollywood at present is more willing to make a male character on a TV show Indian than a female. I was once finalized for a supporting role in Whitney but it had come down to whether they should make the male best friend Indian or the female best friend Indian and they went with male because that’s more user friendly. There are more Kunal Nayyars and Aziz Ansaris than Mindy Kalings. 

She has a good head on her shoulders.
Getting my family to come to the premiere of The Internship was a special moment for me. I just hope it made my father feel that her kid has a legitimate career and isn’t just chasing a pipe dream. My mom’s proud of me but always asks me not to get into trouble by putting my thoughts on issues out on social media. I think social media can be used for a lot more than just selfies and what you eat for breakfast so if I see any injustice or believe in a cause, I would definitely talk about it on Twitter.

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Note: An edited version of this article first appeared in Man’s World in the February, 2014 issue.
Link: http://www.mansworldindia.com/cinema/lesser-known-hollywood-indians/
Picture courtesy: Google. None of the pictures are owned by the author all rights belong to the original owner(s) and photographer(s).
© Copyright belongs to the author, Nikhil Taneja. The article may not be reproduced without permission. A link to the URL, instead, would be appreciated.



“I don’t look like Hollywood’s idea of an Indian woman”

Note: This interview of Annet Mahendru was taken by Nikhil Taneja (@tanejamainhoon) over Skype for The Sunday Guardian. Here’s the external link: http://goo.gl/AZrJsM

At some point in the middle of an hour-and-a-half-long Skype interview with Afghanistan born Indo-Russian actress Annet Mahendru, talk steers towards storytelling; in particular the stories she wants to tell the world. Annet, who is the star of American cable TV FX’s hit spy series, The Americans (that airs in India on Star World Premiere),  takes a long, deep pause, and then says, “I think human beings are capable of anything and I would like to show that through my work, in my storytelling.

“I want to tell transformative stories. I want to access things inside of me that turn me upside down, twist me inside out, stories in which I’m a princess and in which I’m also a dragon. Stories about the darkest dungeons that are also my home. Stories like that of Gia, from Angelia Jolie’s Gia, or of Lisbeth Salander, from Steig Larsson’s The Girl With The Dragon Tattoo, or of superheroes – but not like the ones in films – of authentic superheroes, superheroes of the underground, who are real, free and genuine.”

Over the course of the conversation, Annet comes across as a genuinely likeable twenty-something who giggles at the end of just about every sentence and whose eyes twinkle each time she talks about her two homes, India and Russia, or her years growing up all over the world. But you would be anything but prudent in pegging her as merely girlish, because, like the aforementioned example, whenever she is faced with a question about the craft of acting, her role as Russian double agent Nina Sergeevna or filmmaking and cinema, she is a smart, evocative, measured and deep-thinking woman, who takes her time in coming up with a response that emanates as much from her heart as it does from her head.

And when Annet speaks about her craft, she is subliminally speaking about herself as well; her answers are not just a reflection of how she thinks, it is of who she is. So if Annet is interested in transformative stories, it is in essence because she has spent a lifetime embodying one herself. As a child born in war-ravaged Aghanistan to a Russian artist mother and an Indian professor and journalist father, she grew up a self-confessed nerd, with interests ranging from chess and karate to Bharatnatyam.

“It would seem like I had an identity crisis,” she laughs, “but the truth is, somewhere deep inside of me I knew that I’d be a storyteller. You never know what you can be asked to transform into to tell your stories effectively, and subconsciously, I wanted to be prepared for everything.

“Of course, another part of it is because I have had an affinity to all sorts of cultures and passions inherently,” she says, citing her ‘gypsy’ childhood , much of which was spent traveling between Germany and Russia, after moving from Afghanistan, before she finally moved to USA during her teenage years.

Her memories of growing up are distinct and striking, and she remembers fractured instances of life as a kid who had a malleable concept of home. “Of Aghanistan, I remember hiding in the bathtub thinking there were fireworks going on outside the apartment for New Years, when we were actually in the midst of war,” she recalls.

“And when we shifted to Russia, Russians would be fascinated with me. They didn’t have much interaction with the outside world at that time and they would literally touch me and call me ‘gypsy girl’ because I was this weird looking foreigner.”

The first legible concept of home that Annet ever had was staying in Germany where most of her father’s seven siblings lived with their respective families. “It was there that I picked up my love for performance by watching reruns of Bollywood movies,” she smiles. “When I was five years old, each time guests would come over to our house, I would come out in my Indian dress and put up a dance performance for them on ‘Choli ke peeche kya hai.’”

After she moved to New York and eventually LA, and her love for the arts took a life of its own, Annet’s ethnic ambiguity helped her realise that as an actor, she could both blend in and stand out. “I have always auditioned for parts of all background – from European to Afghan to Hispanic to American and Indian – because I wanted to move beyond ethnicity. I have also worn lose, baggy clothes to auditions because I didn’t want to be seen as a ‘hot girl’. I want to tell all kind of stories and not be limited by the colour of my skin or hair. I’m not just this or just that; like everyone, there are so many sides to me.”

The multi-faceted and culturally diverse identity she epitomizes helped her land her career-defining role in The Americans too. She was auditioned on Skype by the show’s creator, ex-CIA operative Joe Weisberg, and won the part because after learning of her eclectic background, Weisberg jokingly concluded that either her parents must be spies or she is one herself. “I think he was interviewing me as a potential agent and I passed the test on a human level,” she laughs.

Her role in The Americans was at first a guest arc that was soon converted into a series regular after the audience couldn’t get enough of Annet’s character, the enigmatic Nina. Apart from the professional success that came from playing a Russian double agent on a hit TV show, The Americans in many ways helped her  come even closer to her mother and her Russian roots.

“When I put on my makeup for the first time on the show and looked at myself as Nina, from ‘80s Russia, I saw my mom looking back at me and it was beautiful,” she glows. “Through Nina, I was able to connect with my Russian ancestry and access the truth of what it meant to be a Russian at the time my mother was my age, as well as explore it physically.”

It was also this ability to seek the truth that helped Annet comprehend and rationalise the partial nudity that was required of her character, Nina. “My body is sacred to me and I was fearful about approaching these scenes at first,” she says. “But I realised that when I’m Nina, I can’t continue being Annet. Nina doesn’t have guns so if she needs to survive, she has to use her intuition and her truth. And the only way you could be truthful as a woman spy at that time was to bare yourself physically and mentally.

“The writers were very careful in the story to ensure that Nina doesn’t just take her clothes off for frivolous reasons. When Nina is unclothed, she is a woman to her utmost and fullest degree and she owns everything in that moment. And for me, as an Indian woman, embracing the femininity and expressing my sexuality through that character was, in a way, empowering too.”

Annet is currently filming the third season of The Americans, has done guest parts in high profile shows like Grey’s Anatomy, stars in the upcoming animated film, Penguins of Madagascar, besides a couple of independent movies, in which she plays the all-American lead (Bridge and Tunnel and Sally Pacholok), she is now “thirsty” to find a role to express the Indian side of her genes and complete her transformation into the woman who can break out of the stereotypes and boxes the world tries to put her into, and achieve everything she wants. An offer by a big Indian film studio couldn’t work out because of scheduling conflicts, but Annet knows it’s only a matter of time.

“I have never been able to get the role of an Indian so far because I don’t look like Hollywood’s idea of an Indian woman, which is a brown-skinned exotic princess,” she says. “But I can’t wait for it to happen. When you tap into one part of yourself, you understand more about the other part too. Even the dynamic that I bring to Nina comes from this personal ability to shift perspectives and find truth in both worlds inside of me. I have all these perspectives within me, and I feel at home in different places because of that. That’s why I am never truly home at just one place… and yet, the world is my home.”

Note: If you haven’t seen The Americans, you *must* watch it since it is one of the best shows on TV today. Here’s what I had written about it in another article: http://goo.gl/aCMfGO 

If you liked/disliked the interview, do leave a comment below 🙂
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Note: An edited version of this article first appeared in The Sunday Guardian in the November 9, 2014 issue.
Picture courtesy:
 Brian Sunday. None of the pictures are owned by the author all rights belong to the original owner(s) and photographer(s).
© Copyright belongs to the author, Nikhil Taneja. The article may not be reproduced without permission. A link to the URL, instead, would be appreciated.