As I sat watching Gone Girl and the movie unravelled one of its incredible plot twists, I could sense a feeling of dread settle into couples throughout the theatre. I was transfixed at what was happening on screen – and how staggering it was – yet, I was distinctly aware that a quiet unease was creeping its way into the psyche of every couple, married or otherwise, as the theatre slowly fell into an uncomfortable silence. Perhaps this was the paranoia that the movie had projected unto me manifesting itself into a dark, perverse fantasy about the lives of others, or perhaps, Gone Girl is, in fact, the kind of movie that will make every couple momentarily reassess all that is right, and certainly all that is wrong with their relationship.
To say that Gone Girl is a thriller about a the hunt for the missing wife of a seemingly sociopathic man (or look at it as a thriller from the angle that you’ll see when you watch the film) will be a gross misjudgement of what director David Fincher and screenwriter Gillian Flynn have attempted to do with the movie, and will be a much too simplistic – and inaccurate – reduction of what is undoubtedly one of the most twisted and murky deliberations of marriage on the big screen.
That marriage is not easy is a fact that has been explored through several prisms in many a great films of our times, and of that before, from Who’s Afraid of Virgina Woolf? to Blue Valentine. But just how f**ked up marriage, or for that matter, relationships can be, has arguably yet to be dissected in a manner in which Fincher and Flynn together do through the movie.
Gone Girl takes any and all expectations a viewer may have aligned himself with when going into the movie, and then smashes them to pieces, much like it does to every thought we may have had about the institution of marriage, or about what it means to be in a committed relationship. What the movie may do to couples watching it together is entirely dependent on just how seriously they take the movie or for that matter, just how mature or happy they are, because at its best, Gone Girl is a movie that can save a troubled marriage; and at its worst, it is the most horrid and unpleasant date movie of all time.
On the other hand, and in a most brilliant contradiction to the theme of the film, Gone Girl is also a first rate black comedy and satire. I found myself laughing out loud on several occasions through the film, because its meditation on the bizarreness, incredulity, ridiculousness, stupidity, ethical and moral ambiguity, and the complete and utter disregard for professionalism that has become the media, is top class and should necessarily be seen and taken with a very big salt of pinch by everyone who works in the profession themselves.
David Fincher has used the plot of the movie to deliver a scathing diatribe on what has come to be called the ‘media circus’, where (no spoilers, don’t worry) people are put on trial and verdicts are passed without evidence, facts or even logic, where the convenient outcome is passed on the news as the right outcome, and where the consequence could be immense and tragic and yet no individual person has to take the fall – and which is why this unfortunate trend continues to grow, unabated.
Cinematically speaking, there’s nothing I can tell you that you wouldn’t know already: Fincher’s direction is outstanding, the music by Trent Reznor and Atticus Ross is fantastic, Flynn’s screenplay is far too superior for being her first, and most other things including editing (Kirk Baxter), cinematography (Jeff Cronenweth) and the cast are near-perfect. But if there are two elements that stand tall among equals, they are the acting performances by leads Ben Affleck and Rosamund Pike.
It’s funny how Matthew McConaughey’s McConaissance is spoken about with much ferocity all over the internet when Ben Affleck underwent a McConaissance, or Benaissance, if you may, much before he did. This is an actor whose performance does not rely on histrionics or dramatics but on subtlety – and Affleck betrays the confidence of an actor who could be, at this stage of his career, unbeatable at his game. This is a performance worthy of many rewards, and oh man, I can’t wait to see Affleck as Batman now. He’s going to fucking kill it! Since I can’t say much about Pike because of spoilers, let me say this: The greatest actress you didn’t know of so far has arrived, and how. Her performance is the stuff of legend (and I believe it would’ve been amplified if the film were to be shown without cuts).
Since I don’t need to convince you any more to go watch the movie, let me say this: I don’t think it was a perfect movie because the end didn’t go down well with me (I will write why after everyone’s seen it). And I still think Fincher’s best films are The Social Network and Fight Club. But if you are a fan of movies, and particularly of movie experiences, Gone Girl is as unique an experience as you’d get at the movies. Do not miss it.
P.S.: If you liked the film, you are going to love these alternate posters of Gone Girl: http://goo.gl/qe98H3
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